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  報(bào)名入口
  點(diǎn)擊下方鏈接，
  下載屏幕資料、《參賽須知》和《作品信息表》
  Click the link below to
  download the screen parameter infomation and work information form
  百度網(wǎng)盤(pán)
  Baidu Skdisk
  屏幕信息
  https://pan.baidu.com/s/1z1w66fprVq5OAmm9Y7F46g?pwd=cdsa
  提取碼:cdsa
  谷歌網(wǎng)盤(pán)
  Google Drive
  https://drive.google.com/drive/folders/11tvZReZAozgaPQLcgko9M6oLZKQmlJ6U?usp=drive_link
  《參賽須知》：需選手確認(rèn)簽字
  參賽須知Entry-Instructions.pdf
  （電子簽名或打印后手寫(xiě)簽名再拍照或掃描為圖片）
  《作品信息表》：包含選手基本信息和作品信息，
  需如實(shí)填寫(xiě)，確認(rèn)信息無(wú)誤。
  2025作品信息表2025Registration-Form.docx
  兩份表格在提交作品時(shí)一同上傳至在
  線騰訊文檔或谷歌文檔
  Participation Instructions:Contestants are required to confirm and sign
  (Electronic signature or printed handwritten signature and then photographed or scanned into a picture)
  “Work Information Form”:Contains the basic information of the contestants and work information,
  which must be filled in truthfully and confirmed to be correct.
  Both forms should be uploaded to Tencent Docs or Google Docs online when submitting your work.
  規(guī)格要求：
  Specification requirements:
  時(shí)長(zhǎng)不超過(guò)1min，視頻格式為mp4，分辨率需符合至少一個(gè)大賽選址點(diǎn)位的屏幕參數(shù)要求。
  The duration should not exceed 1 minute,
  the video format should be mp4,
  and the resolution must meet the screen parameter requirements of at least one competition location.
  作品文件命名規(guī)則：
  Naming rules for work files：
  CDSA+參賽者個(gè)人/團(tuán)體姓名+作品名
  （例如：CDSA_ZHANG San_《太陽(yáng)》.mp4）
  CDSA+contestant’s individual/group name+title of work
  (For example:CDSA_ZHANG San_"The Sun".mp4)
  作品提交方式：
  How to submit your work：
  方式一：
  將作品文件上傳至網(wǎng)盤(pán)，
  將下載鏈接填寫(xiě)至《作品信息表》，
  連同《參賽須知》上傳至線上騰訊文檔的報(bào)名登記表內(nèi)，點(diǎn)擊下方鏈接。
  掃描二維碼登錄騰訊文檔
  https://docs.qq.com/form/page/DWWtvc0VhYUphbW50
  方式二：
  作品文件上傳至網(wǎng)盤(pán)，
  將下載鏈接填寫(xiě)至《作品信息表》，
  連同《參賽須知》上傳至線上谷歌文檔的報(bào)名登記表內(nèi)，點(diǎn)擊下方鏈接。
  https://docs.google.com/forms/d/e/1FAIpQLSeHThUS4urPnBJ30eXzdF2bqsRXv3Jz6Ch6w9vJvgk7XENBXg/viewform?usp=sharing&ouid=101951176906158454194
  Method 1:
  Upload the work file to the network disk,fill in the download link in the“Work Information Form”,
  upload it together with the“Participation Instructions”to the registration form of the online Tencent document,and click the link below.
  https://docs.qq.com/form/page/DWWtvc0VhYUphbW50
  Method 2:
  Please upload your work file to a cloud storage service(like Google Drive or Dropbox),then copy the download link into the‘Work Information Form’.Submit the completed form,along with the‘Competition Instructions’,to the online Google Docs registration form using the link below.
  https://docs.google.com/forms/d/e/1FAIpQLSeHThUS4urPnBJ30eXzdF2bqsRXv3Jz6Ch6w9vJvgk7XENBXg/viewform?usp=sharing&ouid=101951176906158454194
  推薦使用網(wǎng)盤(pán)
  It is recommended to use network disk
  百度云盤(pán)（https://pan.baidu.com）
  Wetransfer（https://wetransfer.com）
  Swisstransfer（https://www.swisstransfer.com）
  作品提交日期：
  Work submission date：
  2025年8月15日23:59前
  Before August 15 23:59,2025
  組委會(huì)郵箱：
  Organizing Committee Email
  cdsa_art@126.com
  cdsa_art@gmail.com
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  關(guān)于大賽
  “CDSA國(guó)際媒體藝術(shù)創(chuàng)意大賽”是由中國(guó)美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院公共空間藝術(shù)系發(fā)起的新型公共空間藝術(shù)創(chuàng)作大賽。CDSA國(guó)際媒體藝術(shù)創(chuàng)意大賽的創(chuàng)辦是為了發(fā)現(xiàn)和支持優(yōu)秀的藝術(shù)新秀和創(chuàng)意學(xué)員以及新銳從業(yè)者，助力藝術(shù)的專業(yè)與學(xué)術(shù)發(fā)展，構(gòu)建跨專業(yè)、跨行業(yè)、跨空間的創(chuàng)意交流。旨在搭建城市公共的媒體藝術(shù)展播平臺(tái)；推動(dòng)優(yōu)秀、創(chuàng)新、時(shí)尚的當(dāng)代多媒體藝術(shù)創(chuàng)作積極介入公共空間與公眾社會(huì)生活?！八囆g(shù)與商業(yè)結(jié)合，創(chuàng)意與實(shí)踐結(jié)合”。
  "CDSA International Media Art Creativity Competition"is a new public space art creation competition initiated by the School of Sculpture and Public Art of China Academy of Art.The CDSA International Media Art Creativity Competition was founded to discover and support outstanding rookies,creative students,and cutting-edge practitioners,to help the professional and academic development of art,and to build creative exchanges across majors,industries,and spaces.It aims to build an urban public media art exhibition platform;promote excellent,innovative and fashionable contemporary multimedia art creation to actively participate in public space and public social life."The combination of art and business,the combination of creativity and practice”.
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  賽事主題
  主題：
  記憶共存：當(dāng)過(guò)去遇見(jiàn)當(dāng)下與未來(lái)
  Memory Coexistence：
  When Past Meets Presence and Future
  數(shù)字遺產(chǎn)不僅是對(duì)過(guò)去的記錄，更孕育了未來(lái)的新文化形態(tài)。在以“記憶共存”為主題的數(shù)字藝術(shù)展中，城市的LED屏幕被轉(zhuǎn)化為巨大的公共藝術(shù)畫(huà)布，探索在科技與創(chuàng)意的交匯點(diǎn)上，記憶如何得以保存與再生。
  LED屏幕作為時(shí)間的窗口，以新的公共形式映射我們非物質(zhì)文化遺產(chǎn)中的傳統(tǒng)與儀式、表演藝術(shù)與節(jié)慶活動(dòng)、傳統(tǒng)手工藝、有關(guān)自然與宇宙的知識(shí)與實(shí)踐。我們?nèi)绾芜\(yùn)用數(shù)字技術(shù)增強(qiáng)這些文化遺產(chǎn)形態(tài)，使其成為塑造未來(lái)的在場(chǎng)“活檔案”？我們又如何保護(hù)那些具有文化意義的物品、遺址、實(shí)踐與記憶，并確保它們對(duì)后代可見(jiàn)、可用？
  從更廣闊的視角看，“記憶共存”反映出一個(gè)持續(xù)進(jìn)行的文化交流過(guò)程——這一過(guò)程早在數(shù)百年前的絲綢之路時(shí)代便已開(kāi)啟。絲路促進(jìn)了東西方之間觀念與藝術(shù)表達(dá)的交流融合，而此次展覽則借助數(shù)字技術(shù)，在時(shí)間與空間的維度上推動(dòng)文化遺產(chǎn)的流動(dòng)與再生。正如絲綢之路曾連接起城市、文化與人們，展覽也試圖在數(shù)字領(lǐng)域中感知空間、連接地理。
  在城市巨型LED屏幕上，記憶不再是靜態(tài)的檔案，而成為參與公共對(duì)話的“活畫(huà)布”。數(shù)字藝術(shù)展“記憶共存”將城市的過(guò)去、現(xiàn)在與未來(lái)融合為不斷演化的藝術(shù)作品。LED屏幕變?yōu)椤皵?shù)字地標(biāo)”，承載著個(gè)人記憶的碎片與集體敘事，持續(xù)展示人與城市空間間深層的情感紐帶和時(shí)間的層疊痕跡。
  它像一個(gè)“數(shù)字重寫(xiě)本”（digital palimpsest），將過(guò)去、現(xiàn)在與未來(lái)的記憶疊加成一部復(fù)雜而不斷演變的人類經(jīng)驗(yàn)記錄。這一理念受到Refik Anadol的作品如《數(shù)據(jù)之境的大自然模型》（Large Nature Model of Dataland）與《文藝復(fù)興之夢(mèng)》（Renaissance Dreams）的啟發(fā)。在《數(shù)據(jù)之境》中，Anadol利用大規(guī)模數(shù)據(jù)驅(qū)動(dòng)藝術(shù)創(chuàng)作出沉浸式數(shù)字自然環(huán)境，提供對(duì)自然世界的不斷演化的詮釋，將其轉(zhuǎn)化為一種新的文化遺產(chǎn)形態(tài)。《大自然模型》重新構(gòu)想了人與自然的關(guān)系，通過(guò)龐大的數(shù)據(jù)集構(gòu)建出一個(gè)不斷更新、自動(dòng)校準(zhǔn)的“活自然”數(shù)字模型；而在《文藝復(fù)興之夢(mèng)》中，機(jī)器學(xué)習(xí)算法被用來(lái)重新詮釋古典繪畫(huà)，為歷史作品注入新生命，挑戰(zhàn)我們與過(guò)去互動(dòng)的方式。這種通過(guò)數(shù)字媒介進(jìn)行記憶疊加與再詮釋的理念，與聯(lián)合國(guó)教科文組織關(guān)于文化與自然遺產(chǎn)“動(dòng)態(tài)、互聯(lián)”的觀點(diǎn)高度契合。數(shù)字重寫(xiě)本這一概念揭示了數(shù)字技術(shù)如何讓我們“重寫(xiě)”或再詮釋記憶，在保留原始痕跡的同時(shí)添加新的意義層級(jí)。如同古代手稿被反復(fù)擦除與重寫(xiě)，這些LED屏幕構(gòu)成了一個(gè)活態(tài)的記憶與身份文檔。
  展覽通過(guò)公眾參與與先進(jìn)科技，重新定義了“數(shù)字遺產(chǎn)”的概念：它是一種動(dòng)態(tài)創(chuàng)作，激發(fā)文化再發(fā)現(xiàn)與共享歸屬感。展覽基于開(kāi)放式互動(dòng)平臺(tái)，鼓勵(lì)公眾上傳與城市相關(guān)的個(gè)人記憶，如家庭照片、語(yǔ)音片段或視頻剪輯。這些數(shù)據(jù)通過(guò)AI處理后轉(zhuǎn)化為可視化的藝術(shù)作品，并實(shí)時(shí)投影于LED屏幕上，使數(shù)字遺產(chǎn)成為流動(dòng)的、感官化的體驗(yàn)。
  展覽的核心理念是“動(dòng)態(tài)記憶拼圖”。觀眾上傳的圖像、聲音與文本碎片，經(jīng)由AI技術(shù)與城市歷史檔案及文化符號(hào)進(jìn)行算法鏈接，轉(zhuǎn)化為流動(dòng)的數(shù)字?jǐn)⑹?。這些可視化敘事不僅呈現(xiàn)重大歷史事件，也展現(xiàn)城市居民的日常瞬間，在公共空間中形成一首“記憶交響曲”。白日里，屏幕與城市景觀融合，映照其真實(shí)風(fēng)貌；入夜后，光影律動(dòng)如同城市的脈搏，回響其鮮活記憶。展覽強(qiáng)調(diào)：記憶不僅是個(gè)人的私產(chǎn)，更是集體的文化資產(chǎn)，每一個(gè)碎片都是城市獨(dú)特記憶生態(tài)的一部分。通過(guò)這一方式，“記憶共存”邀請(qǐng)觀眾共同編織城市記憶的肌理，在沉浸式互動(dòng)體驗(yàn)中與城市產(chǎn)生共鳴，也與自我產(chǎn)生對(duì)話。
  觀眾不僅是旁觀者，更是共創(chuàng)者。他們提交的記憶與既有文化資產(chǎn)產(chǎn)生對(duì)話，構(gòu)建出集體性的數(shù)字藝術(shù)作品。此外，展覽還融合AR互動(dòng)技術(shù)，使參觀者可通過(guò)手機(jī)探索屏幕之外的數(shù)字場(chǎng)景，沉浸式地與建筑、聲音與歷史人物的虛擬記憶進(jìn)行互動(dòng)。這一公眾協(xié)作與沉浸體驗(yàn)的維度，體現(xiàn)了文化融合的持續(xù)過(guò)程，科技不僅是保存工具，更是連接過(guò)去與現(xiàn)在、地方與全球的橋梁。
  通過(guò)城市LED屏的廣泛覆蓋，“記憶共存”重新定義了城市記憶的傳播方式，使每一段記憶碎片都在廣場(chǎng)與街角被看見(jiàn)、討論與銘記。它不僅是視覺(jué)盛宴，更是一場(chǎng)深刻的公眾共創(chuàng)實(shí)踐，激發(fā)人們對(duì)記憶價(jià)值、意義與保存的思考。展覽將數(shù)字藝術(shù)定位為塑造文化身份的重要力量，并在為未來(lái)世代更新城市遺產(chǎn)價(jià)值的過(guò)程中發(fā)揮作用。
  因此，數(shù)字遺產(chǎn)成為一座橋梁，正如古代文化交流曾連接人類歷史的不同片段，如今則借助技術(shù)開(kāi)啟全新的文化對(duì)話與再詮釋的旅程。
  Memory Coexistence:When Past Meets Presence and Future
  Digital heritage is not just a record of the past but generates new cultural forms of the future.In the digital art exhibition themed"Memory Coexistence"urban LED screens transform into immense canvases of public art,exploring how memories can be preserved and regenerated at the intersection of technology and creativity.
  LED screens provide a time window and reflect as new public format the past of our intangible cultural heritage of traditions and rituals,performing arts and festive events,traditional craftsmanship,knowledge and practices concerning nature and the universe.How can we enhance these forms of cultural heritage with digital technologies to become a living archive of the presence by shaping the future?How can we safeguard objects,sites,practices,and memories that hold cultural significance,ensuring they are accessible to future generations?
  In a broader context,''Memory Coexistence''reflects the ongoing process of cultural exchange that has occurred for centuries,such as through the historical networks like the Silk Road where the fusion of different cultural practices generated new forms of understanding and creativity.Just as the Silk Road facilitated the sharing of ideas and artistic expressions between the East and West,this exhibition leverages digital technology to enable the flow of cultural heritage across geographies and time periods.Furthermore,as the Silk Road connected cities,cultures,and people across vast distances,so too does this exhibition aim to sensing places and connecting geographies in the digital realm.
  On the massive LED screens of the city,memory is no longer a static archive but a living canvas and participant in public dialogue.The digital art exhibition''Memory Coexistence''visualizes the fusion of the past,present,and future of the city into ever-evolving works of art.The LED screens become"digital landmarks"carrying fragments of individual memories and collective narratives continuously showcasing the profound emotional bond between people and the urban space with its layers of times.
  By operating as a'digital palimpsest'where the layering of past,present,and future memories,creates a complex and ever-evolving record of human experience.This approach draws inspiration from projects like Refik Anadol's Large Nature Model of Dataland,,and Renaissance Dreams.In Dataland,Anadol utilizes large-scale data-driven art to create immersive digital environments inspired by nature,providing an evolving interpretation of the natural world that transforms into a new form of cultural heritage.Large Nature Model reimagines our relationship with nature,using vast data sets to create a living digital model of nature,constantly evolving and recalibrating,while in Renaissance Dreams,machine learning algorithms are used to reinterpret classical paintings,breathing new life into historical works and challenging how we interact with the past.This concept of layered memory and reinterpretation through digital media aligns closely with UNESCO’s perspective on preserving both cultural and natural heritage as dynamic,interconnected entities.This concept of a palimpsest reflects how digital technologies allow us to"rewrite"or reinterpret memories,adding new layers of meaning while preserving the original traces.As with ancient manuscripts erased and rewritten over time,these LED screens create a living document of evolving memory and identity.
  By inviting public participation and leveraging advanced technology,the exhibition reimagines“digital heritage”as a dynamic creation,fostering cultural rediscovery and shared ownership.The exhibition operates on an open interactive platform,encouraging the public to upload personal memories related to the city,such as family photos,voice recordings,or video snippets.These data inputs are processed by AI to generate visualized art pieces,projected onto the LED screens in real time,presenting digital heritage as a flowing,sensory experience.
  At the heart of the exhibition is the concept of a“dynamic memory mosaic.”Images,sounds,and text fragments uploaded by viewers are algorithmically linked with the city’s historical archives and cultural symbols through AI technology,transforming into fluid digital storytelling.These visual narratives present not only major historical events but also the everyday moments of city residents,creating a symphony of memories in public spaces.By day,the screens integrate with the cityscape,reflecting its authentic character;by night,dynamic light and shadows pulse like the city’s heartbeat,echoing its vibrant memory.The exhibition seeks to highlight that memories are not merely personal possessions but shared cultural assets,with each fragment contributing to the unique memory ecosystem of the city.Through this approach,“Memory Coexistence”invites viewers to participate in weaving the fabric of urban memory,finding resonance with both the city and themselves in an immersive,interactive experience.
  They are not only spectators but also co-creators,as their submitted memories engage in dialogue with existing cultural assets,forming collective works of digital art.Additionally,the exhibition integrates AR interaction technology,allowing visitors to explore digital scenes beyond the screen via their smartphones,interacting with virtualized memories of architecture,sounds,and historical figures.This aspect of public collaboration and immersive interaction reflects the ongoing process of cultural blending,where technology enables not just preservation but an ongoing dialogue between past and present,local and global.
  Through the expansive reach of LED screens,''Memory Coexistence''redefines how urban memories are disseminated,making every fragment of memory visible,discussed,and remembered in the plazas and corners of the city.It is not merely a visual spectacle but also a profound practice of public co-creation,inspiring reflection on the value,meaning,and preservation of memory.The exhibition positions digital art as a powerful force in shaping cultural identity and renewing the value of urban heritage for future generations.
  In this way,digital heritage serves as a bridge,allowing for new cultural exchanges and reinterpretations of our shared human history,just as the ancient cultural exchanges once did.
  可保存主題內(nèi)容，以供查閱
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  征集對(duì)象
  國(guó)內(nèi)外公共藝術(shù)與數(shù)字藝術(shù)設(shè)計(jì)創(chuàng)作者、藝術(shù)與設(shè)計(jì)院校的學(xué)生，以及所有采用數(shù)字工具繪畫(huà)的作者（包括新銳插畫(huà)師、獨(dú)立藝術(shù)家、視覺(jué)藝術(shù)家、專業(yè)建模師、新媒體設(shè)計(jì)師，以及創(chuàng)業(yè)團(tuán)隊(duì)與相關(guān)領(lǐng)域的企業(yè)、機(jī)構(gòu)和院校）。
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  賽制安排
  （一）賽程時(shí)間
  初評(píng)—終評(píng)—最終修改
  Initial review-Final review-Final revision
  （二）公開(kāi)展示（展覽）
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